________________ CM . . . . Volume III Number 6 . . . . November 15, 1996

cover Bottom Drawer.

David Boyd.
Oakville, Ontario: Rubicon Publishing Inc., 1996. 122 pp., paperback, $7.95.
ISBN 0-921156-58-8.

Grades 9 and up / Ages 14 and up.
Review by Esmé Keith.

*** /4

Bottom Drawer, a novel by David Boyd, is an ambitious and fairly successful teen problem novel. The teen in question, Mac Kuper, or "MacKid" as he calls himself on the Internet, must grapple with the memory of his father's suicide ten years earlier, and with a difficult relationship with his step-father, Malcolm. Then his life is further complicated by a close friendship which demands his decency and bravery. Tested by this experience, Mac feels that he has failed and betrayed his friend and himself.

space The novel is prefaced by an impressionistic description of the suicide of Mac's father, or more properly, the immediate effects of this act on Mac. But the story proper begins with Mac's own suicide attempt ten years later. The rest of the novel proceeds to describe the causes of his attempt and the slow process of regaining peace of mind.

space The novel is written in a number of different styles. Straight narrative is used sparingly. Instead, the author elects to tell much of the story through newspaper clippings, faxed memos, interview transcriptions, and internet chat room printouts. I found these techniques both engaging in their variety and effective in recreating the individual voices of the speakers. The novel is also widely allusive, gaining particular effect from references to The Catcher in the Rye and the paintings of Alex Colville. These aspects of the novel will appeal to a literate teen reader.

space The main character is drawn with insight and sensitivity. Here, Mac is tormented by the taunts of a neighbourhood bully shortly after his father's death:

Mac sat down and brushed away the hot tears. If his daddy was here, he'd get Chase Robertson and bash his bike into smithereens, and he'd punch Chase's mom right on her big fat freckled nose! Chase was a liar, liar, liar!

Mac sniffed and rubbed again where the collar had chafed his neck.

For the life of him, he didn't have a clue what a sue-side was.

space However, the supporting characters, particularly the parents, aren't allowed to expand much beyond stereotypes. These predictable characters are one flaw in the novel. Another difficulty, one that afflicts many problem novels, lies in the plot. Events move from the all-too-likely to the all-too-unlikely swiftly, and as the plot heats up, the story slows down. Even the author seems to feel this; he supplies a surprisingly brisk denouement, as if the problems he has created for Mac are too big, or too improbable to bear a more considered solution.

space Nonetheless, this aggressive plotting may well appeal to those readers who are not intrigued by the shifting voices and subtle insights offered earlier in the novel. Although the book cannot sustain the light touch or depth of feeling evident in the opening sections, it has a number of qualities that make it an enjoyable read.


Esmé Keith is an English teacher at a Winnipeg high school.

To comment on this title or this review, send mail to cm@umanitoba.ca.

Copyright © 1996 the Manitoba Library Association. Reproduction for personal use is permitted only if this copyright notice is maintained. Any other reproduction is prohibited without permission.

Published by
The Manitoba Library Association
ISSN 1201-9364