Drama by Dennis Foon.
Winnipeg: Blizzard Publishing, 1995.
58pp, paper, $10.95.
Grades 11 and up / Ages 16 and up.
Review by Jennifer Sullivan.
The wannabe comes up to us, grinning. Pulls out this long bread knife,
one of those flimsy things from a dollar store with a long plastic
handle. Like ooo we're scared man, we were cracking up. The kid was
laughing too, nervous like. . . And then he slides it into my brother's gut.
Dennis Foon, author of New Canadian Kid and Skin and
Liars, gives us a violent jolt into the world of adolescence with
his new play, War. Growing up to be a man is not easy in a
society where brutality and aggression are a means of survival and dreams
are held at knife-point.
And Foon's teens do have dreams. Their hopes are voiced in
soliloquies that are often lyrical and powerful. There's seventeen-year-old Andy
who wants to be an actor because Eastwood and Seagal are tough and
impenetrable. Brad will do whatever it takes: gouge your eyes, kick,
spear, smash noses into jelly to become a hockey player; violence is his
passport to a better life. Shane, who dreamed of a king whose touch
turned everything to gold, watches everything he touches blow away. Foon
suggests that dreams are the sacrifices of war, flickering flames of hope
that are violently extinguished.
In contrast to the dreamy soliloquies, the dialogue is sparse. The
teens use slang; their words cut through the air like knives. The rhythm
of the play is fast-paced, and the fragmented sentences convey a sense of
urgency -- there's no room for discussion or emotion on a battlefield.
Images of war are interspersed throughout the play to reinforce its theme
Foon makes excellent use of stark black and white photographs to
emphasize the bleakness of the landscape and mirror the emotional
isolation of the teens. There are no parents or women in this play. Women
are talked about, talked over, but they do not have a voice. Only Sheila,
Tommy s girlfriend, can inspire some unguarded feeling, but Sheila is a
shadow, an ephemeral spark of humanity who is rubbed out by a violent rape.
This is a powerful play that should not be overlooked. In
War, Dennis Foon allows his characters to speak freely;
there is no moralizing narrator to guide or censure them. Perhaps it is
this lack of intervention that makes the play so effective. Foon wrote
War as a warning, hoping that the profane language, the
bloody images, and the disturbing climax would reinforce the power and
importance of his message: the Hurt we put out comes back
on us. It would be possible to study this play in a classroom setting if
the mature subject matter and themes are taken into account. Having
students take on the actor's parts would be an excellent and provocative
way to explore the role and glamorization and violence in our society, as
well as its treatment of women.
Jennifer Sullivan has a Master's degree in English Literature and
works within the Children's Literature Service of the National Library of
Copyright © 1995 the Manitoba Library Association.
Reproduction for personal use is permitted only if this copyright notice is
maintained. Any other reproduction is prohibited without permission.
The Manitoba Library Association
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