________________ CM . . . . Volume XXIV Number 12. . . November 24, 2017


I Love My Purse.

Belle DeMont. Art by Sonja Wimmer.
Toronto, ON: Annick Press, 2017.
36 pp., hardcover, EPUB & PDF, $21.95 (hc.).
ISBN 978-1-55451-954-5 (hc.), ISBN 978-1-55451-955-2 (EPUB), ISBN 978-1-55451-956-9 (PDF).

Preschool-grade 3 / Ages 4-8.

Review by Rob Bottner.


Every morning, Charlie yawned, stretched then slid his feet into his favorite slippers. And every morning he shuffled over to his closet and looked for something to wear. But there was nothing he liked. Nothing except the bright red purse that his grandma had let him have. So far he had only tried it on in the mirror.

One morning Charlie decided enough was enough.


Charlie inherited a purse from his grandmother. A beautiful red purse with a long strap, strong handles, and a sturdy button to keep it closed, and of course, it had lots of room. For a long time Charlie kept the purse in his closet, only trying it on in the privacy of his own room. But one day he decides that enough is enough, and he decides to finally wear the purse to school. While many of the children don’t quite understand why Charlie would choose to put everything in a purse instead of a backpack, over time he convinces them all that his purse is both practical and fashionable!

internal art     As with many similar books that seek to subvert masculine ideals in relation to children (just look at Morris Micklewhite and the Tangerine Dress or The Boy and the Bindi, there is a decision by the protagonist to stand up against cultural hegemony, followed by moments of adversity or bullying, and then a decision to be one’s own self. I Love My Purse does follow this path, but it differs in a couple of ways.

     First of all, this is one book in which the male protagonist is not wearing a dress (the boy-in-a-dress trope is very prominent as a way of emphasizing gender play in childhood), but rather uses another accessory that can be read as feminine, but that also has a history of being read outside of a feminine space. The second aspect of this book that makes it unique within the field is the inclusion of a young black man as the protagonist. He lives in a single-parent household as well, but his father is not an adversary of Charlie’s decisions regarding wearing his purse to school, which is actually very refreshing.

     In particular, this book chooses not to play with pronouns or engage with the gendered nature of accessories (at least not explicitly as some do). Instead, DeMont and Wimmer have chosen to engage in discussion about the purse as a fashion choice that allows Charlie to remain free of anyone labelling him in any gendered sense. Charlie is repeatedly asked about his purse, and he responds, but instead of those questioning gendering Charlie, the most they ask is in regard to the “normal” activities that boys engage in: “Boys ride skateboards and read comic books. We don’t wear bright red purses!” But once Charlie responds, his critics at most go on with their normal daily routine(s).

     I Love My Purse is refreshing and enjoyable, full of colorful and eye-catching illustrations. There is a good amount of diversity to keep the book from falling into a stereotypically white construct like so many others that look to gender or sexuality.


Rob Bittner has a PhD in Gender, Sexuality, and Women’s Studies (SFU), and is also a graduate of the MA in Children’s Literature program at The University of British Columbia in Vancouver, BC. He loves reading a wide range of literature, but particularly stories with diverse depictions of gender and sexuality.

To comment on this title or this review, send mail to cm@umanitoba.ca.

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