Adding, here, nothing that the frame won't hold-upon its falling away.

At first glance, a picture all too squarely painted: a painting, which, as a calculated opening or surface, divides itself, at once, between the “authenticity” of the phenomenal “here and now” and the suppleness of the detour, of the putting aside.

Adding, here, not an excess or simple surplus to the so-called primary work (the painting), but rather, an extra or supernumerary whose dis-played effects must, henceforth, be taken into account.